Retelling series draws inspiration from the streets of Bucharest, where graffiti plays an integral role in everyday life. Through this collection, I aimed to capture the vibrant colors that adorn Bucharest's walls and provide viewers a window into some hidden urban stories. The abstracted imagery and intricate details encourage movement, allowing the mind to wander freely and imagine unknown narratives. The heavy use of abstraction, layers of subtle details, and implied motion offer those who see it an opportunity to think creatively and piece together their own tales from the city streets. This series is under construction and it will be finalized soon. Hope you guys like these first pieces. Please remember to collect art from your favorite artists. We, the artists, depend on our patrons.
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Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
IMPRESSIONS
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