John Bishop and I, Bogdan Mihai, had our first joint exhibition this month at Silver Street Studios. The show was called Urbana, and it was a great success. I want to give a big thank you to those of you who were able to stop by, and of course to all for thinking of us from far away. A very special thank you to all of you who collected pieces from this series. If you haven't had the chance to see the Urbana series, please take a look and see what's available. https://www.bogdanfotoart.com/urbana-series Please consider collecting any of these artworks. We artists depend on our art patrons. Thank you!
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Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
IMPRESSIONS
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