Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
Romania's capital city, Bucharest, displays an elegant past that, after 40 years of communism and corruption, is now reaching levels of decay that may defy renovation. Over the past ten years, I have tried to create a parallel between the image of Princess Brianna Caradja, whose aristocratic family was driven out of Romania by politics, and of the capital city that is crumbling both physically and socially. With my journalistic background, I attempt to mirror the forgotten, ignored grandeur of both the physical and social institutions of my homeland.
This mixed media artwork, titled El Dia de Los Muertos, draws inspiration from the artist's journeys to Mexico City. Bogdan masterfully blends elements of urban decay, street graffiti, and vibrant street life, capturing the essence of the city's unique energy. The piece evokes the rich cultural magic of Mexico, reflecting the city's enduring influence across generations.
